Between the 1950s and the 1970s, my father, José Ramírez III, bought large quantities of wood in logs and, very especially, of Brazilian rosewood,...
The guitars of 2ND and Sherry Brenner
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The Cámara Guitar of José Ramírez III
My father, José Ramírez III, was a restless spirit, always looking for new improvements for the sound of his guitars, and by always keeping that in...
Goodbye Manolo Sanlúcar
I was 11 or 12 years old the first time I heard Manolo Sanlúcar play, and although I was still a little girl, I had already learned to appreciate...
The Ramirez Labels of our handmade and studio guitars
Today we are going to talk about the labels of the guitars handmade in our workshop, our Ramírez Labels. Until 1967 there was no real control of the...
Guitar maker’s soul
My great-great-grandfather Domingo Ramírez de Galarreta y Martínez de Abad was a multifaceted man: he was a landowner, horse breeder, builder,...
Amplification systems for studio guitars
In today's article, our colleague Isaac Álvarez is going to talk about some of the amplification systems we have available for our range of studio...
Differences between a classical guitar and a flamenco guitar
Cristina Ramírez explains, in the video below, the differences between a classical guitar and a flamenco guitar. Both are Spanish guitars, but the...
8 chains of Ramirez guitar makers
Many years ago, I had a strange dream in which, to make a long story short, Rank Xerox's daughter had to take care of certain matters relating to...
Spruce or cedar top guitars: We tell you the differences
In this article, Cristina Ramírez and Adrián Baratech will tell us the differences between a spruce or cedar top guitar. Do you want to discover...