Protected: Historical Stitches (C.11): The initials on the Ramirez Guitars
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Historical hints (C.14): beautiful and imperfect
I grew up hearing about the defects in the woods used in guitars, the knots, the cocas, the veins of irregular tones… and for me it became something quite normal until I began to see that woods whose appearance was not adequate were discarded in the search for...
Historical hints (C.13): 10 string guitar and its author
It is not the first time that authorship of creation is attributed to people who have had nothing to do with it, as is the case with the 10-string guitar. And lately, and through different channels, I have received the information that some believe that this guitar...
Historical hints (C.12): Fair competition
The work of a guitar maker or instrument builder is very beautiful: it requires time to become skilled with the tool, to understand the wood, to build with care and also to listen, that is to say, to achieve what the musician is looking for. We are a family workshop...
Historical hints (C.10): Ramírez and flamenco
The romance between Ramírez guitar makers and flamenco dates back, as long as my family memory can remember, at the time of my great-grandfather José Ramírez I; when the flamenco guitarists of his time (the end of 1800) asked him to make a guitar with enough power to...