In Ramírez Guitars we have added 2 new models of handmade guitars to our collection, both very significant for their relationship with the history of our workshop. Learn about their characteristics and the peculiarities that define them! Segovia Model The Segovia...

We recover these photographs of our historical workshop of Concepción Jerónima street number 2 published in Black and White in 1927. In them you can see José Ramírez II checking and revising the instruments as a teacher at that time. The best known official at that...

On Saturday 19th June 2021 we had the pleasure of attending the concert of our friend the guitarist Paco Vidal in one of the events organized by Friends of the Guitar of Valencia under the direction of Juan Grecos at its new headquarters in the hotel SH Valencia...

My great-granduncle, Manuel Ramírez de Galarreta, must have been a very interesting character and also very daring, because of the things that our father told my brother and me about him. And you only have to see the only portrait of him that we have (apart from the...

Cristina Ramírez explains, in the video below, the differences between a classical guitar and a flamenco guitar. Both are Spanish guitars, but the fundamental difference can be found both in the woods and in the construction. What are the differences between a...

In this article, Cristina Ramírez and Adrián Baratech will tell us the differences between a spruce or cedar top guitar. Do you want to discover them? Keep reading 😉 What is the difference between a guitar with a cedar top and one with a spruce top? For this purpose,...

There is a bit of confusion among our guitarists when they talk about the 1A guitar. 1A is what we put on the label, where the class rating is listed. What do we mean by 1A guitar? By 1A we mean first class. These are all our handmade guitars, from the Aniversario to...

Today we are going to talk about the labels of the guitars handmade in our workshop, our Ramírez Labels. Until 1967 there was no real control of the labels, therefore, the dates will be approximate and surely there are some labels that are not reflected in this...

As many already know, the guitar headstock is like a signature, a sign of the guitar maker's identity, designed to be recognised without the need to see the label or any other identifying marks. So, today we show you the evolution of Ramírez guitar headstocks. José...

There is no doubt that it is to Andrés Segovia that we owe the full diffusion of the Spanish guitar throughout the world, a task that he undertook and concluded with a Ramírez instrument in his hands. Following in his footsteps, a stream of concert guitarists kept the...

Today we are going to talk about the labels of the guitars handmade in our workshop, our Ramírez Labels. Until 1967 there was no real control of the labels, therefore, the dates will be approximate and surely there are some labels that are not reflected in this...

In this video Cristina Ramirez uncovers this doubt that many of you usually have between these two product lines. In addition, the guitarist Adrián Baratech will give voice to two of the most representative models of each of the features. To sum up, the guitars that...

When my great-grandfather, José Ramírez I, opened his business on his own, after the separation from his brother Manuel, he offered for sale both the guitars handmade in his workshop and those made in Valencian factories: Julve, and later also Vicente Tatay, who made...