{"id":31990,"date":"2025-09-11T13:36:37","date_gmt":"2025-09-11T11:36:37","guid":{"rendered":"https:\/\/guitarrasramirez.com\/event\/27212-2\/"},"modified":"2025-09-11T13:36:37","modified_gmt":"2025-09-11T11:36:37","slug":"27212-2","status":"publish","type":"tribe_events","link":"https:\/\/guitarrasramirez.com\/es\/event\/27212-2\/","title":{"rendered":"Tres haikus para Lorca: Bego\u00f1a Castro"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.madrid.org\/sumaflamenca\/2025\/fotos\/fichas\/begonacastro.jpg\" alt=\"Bego\u00f1a Castro\" width=\"1500\" height=\"709\" \/><\/p>\n<h2 class=\"ai-optimize-6\" data-start=\"197\" data-end=\"273\"><em data-start=\"201\" data-end=\"225\">Tres haikus para Lorca<\/em>: Bego\u00f1a Castro y el arte como acto de presencia<\/h2>\n<p class=\"ai-optimize-7 ai-optimize-introduction\" data-start=\"275\" data-end=\"585\">El mi\u00e9rcoles 22 de octubre a las 18:00 h, la <strong data-start=\"320\" data-end=\"355\">Sala Negra de Teatros del Canal<\/strong> se convierte en escenario para una de las propuestas m\u00e1s personales y evocadoras de la temporada: <em data-start=\"454\" data-end=\"478\">Tres haikus para Lorca<\/em>, una creaci\u00f3n de <strong data-start=\"496\" data-end=\"513\">Bego\u00f1a Castro<\/strong>, en colaboraci\u00f3n con la gran bailarina japonesa de butoh <strong data-start=\"571\" data-end=\"584\">Ima Tenko<\/strong>.<\/p>\n<p class=\"ai-optimize-8\" data-start=\"587\" data-end=\"980\">En este estreno absoluto, el flamenco se entrelaza con la est\u00e9tica japonesa en una experiencia esc\u00e9nica donde la poes\u00eda de <strong data-start=\"710\" data-end=\"735\">Federico Garc\u00eda Lorca<\/strong> encuentra nuevas formas de ser vivida, encarnada y danzada. Dividida en tres piezas \u2013<em data-start=\"821\" data-end=\"844\">Crep\u00fasculo (Tasogare)<\/em>, <em data-start=\"846\" data-end=\"861\">Vida (Inochi)<\/em> y <em data-start=\"864\" data-end=\"887\">Presencia (Sonzaikan)<\/em>\u2013, la obra es una meditaci\u00f3n coreogr\u00e1fica sobre la memoria, la sombra y la belleza invisible.<\/p>\n<p class=\"ai-optimize-9\" data-start=\"982\" data-end=\"1384\">El espect\u00e1culo cuenta con la participaci\u00f3n en directo del maestro <strong data-start=\"1048\" data-end=\"1065\">Jer\u00f3nimo Maya<\/strong> a la guitarra y del cantaor <strong data-start=\"1094\" data-end=\"1111\">Paco del Pozo<\/strong>, y con la intervenci\u00f3n de artistas japoneses en taiko, nagauta, caligraf\u00eda y shibori. La direcci\u00f3n musical es de <strong data-start=\"1225\" data-end=\"1250\">Miguel Romero Sirvent<\/strong>, con videocreaciones, vestuario y v\u00eddeoarte firmados por la propia Castro, que en esta obra despliega su visi\u00f3n m\u00e1s \u00edntima y radical.<\/p>\n<p class=\"ai-optimize-10\" data-start=\"1386\" data-end=\"1771\"><strong data-start=\"1386\" data-end=\"1403\">Bego\u00f1a Castro<\/strong> ha recorrido un camino singular en el flamenco contempor\u00e1neo. Formada en el Real Conservatorio de Danza Mariemma y en los tablaos madrile\u00f1os, su carrera se ha abierto al di\u00e1logo con otras culturas y lenguajes esc\u00e9nicos. Desde 2006 investiga la confluencia entre el flamenco y el <em data-start=\"1683\" data-end=\"1690\">butoh<\/em>, hallando en esa grieta una po\u00e9tica del silencio, del gesto m\u00ednimo, del temblor.<\/p>\n<p class=\"ai-optimize-11\" data-start=\"1773\" data-end=\"2067\">En <em data-start=\"1776\" data-end=\"1800\">Tres haikus para Lorca<\/em>, Bego\u00f1a Castro no interpreta a Lorca: lo convoca. Lo imagina habitando su cuerpo, renacido en otro tiempo y en otra forma. El resultado es una obra de gran profundidad espiritual y fuerza est\u00e9tica, un canto a la presencia y al arte como forma de resistencia po\u00e9tica.<\/p>\n<p class=\"ai-optimize-12\" data-start=\"2069\" data-end=\"2321\">\ud83d\udccd <strong data-start=\"2072\" data-end=\"2114\">Teatros del Canal \u2013 Sala Negra, Madrid<\/strong><br data-start=\"2114\" data-end=\"2117\" \/>\ud83d\udcc5 <strong data-start=\"2120\" data-end=\"2157\">Mi\u00e9rcoles 22 de octubre \u2013 18:00 h<\/strong><br data-start=\"2157\" data-end=\"2160\" \/>\u23f1\ufe0f <strong data-start=\"2163\" data-end=\"2187\">Duraci\u00f3n: 75 minutos<\/strong><br data-start=\"2187\" data-end=\"2190\" \/>\ud83c\udf9f\ufe0f <a class=\"decorated-link\" href=\"https:\/\/entradas.teatroscanal.com\/janto\/main.php?Nivel=Evento&amp;idRecinto=TDC&amp;idEvento=BCASTROTC25-26\" target=\"_new\" rel=\"noopener\" data-start=\"2194\" data-end=\"2321\">Compra tus entradas aqu\u00ed<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tres haikus para Lorca: Bego\u00f1a Castro y el arte como acto de presencia El mi\u00e9rcoles 22 de octubre a las 18:00 h, la Sala Negra de Teatros del Canal se [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_joinchat":[],"footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-31990","tribe_events","type-tribe_events","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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