{"id":33731,"date":"2023-06-01T08:33:14","date_gmt":"2023-06-01T06:33:14","guid":{"rendered":"https:\/\/guitarrasramirez.com\/ramirez-a-century-and-a-half-designing-guitars\/"},"modified":"2023-06-01T08:33:14","modified_gmt":"2023-06-01T06:33:14","slug":"ramirez-a-century-and-a-half-designing-guitars","status":"publish","type":"post","link":"https:\/\/guitarrasramirez.com\/en\/ramirez-a-century-and-a-half-designing-guitars\/","title":{"rendered":"Ram\u00edrez: a century and a half designing guitars"},"content":{"rendered":"<p>Since Jos\u00e9 Ram\u00edrez I began our guitar career, we have contributed different designs to the guitar world, always seeking excellence and favouring guitarists&#8217; search for a sound that is to their satisfaction, which is quite a challenge, and we believe we have succeeded in several occasions, discarding, yes, many failed tests that, however, led us here along this winding and stimulating path.<\/p>\n<p>We will highlight in this tour the following contributions:<\/p>\n<h2>Jos\u00e9 Ram\u00edrez I<\/h2>\n<p>At the request of the flamenco guitarists of the late 19th century, created the <a href=\"https:\/\/guitarrasramirez.com\/en\/producto\/de-tablao-2\/\" target=\"_blank\" rel=\"noopener\">Tablao Guitar<\/a>, <strong>capable of transmitting a sound powerful enough to compete in the tablaos flamencos<\/strong> and caf\u00e9s cantantes with the tapping and clapping that drowned out the projection of the small guitars of that time.<\/p>\n<h2>Manuel Ram\u00edrez<\/h2>\n<p>When he became independent, continued to build the Tablao Guitar that, little by little, was transformed until <strong>he created the <a href=\"https:\/\/guitarrasramirez.com\/en\/producto\/flamenca-blanca\/\" target=\"_blank\" rel=\"noopener\">flamenco guitar<\/a> that laid the foundations of the current flamenco guitar<\/strong> on which numerous guitarists of his time and of the present.<\/p>\n<p>He also built the <a href=\"https:\/\/guitarrasramirez.com\/en\/producto\/manuel-ramirez\/\" target=\"_blank\" rel=\"noopener\"><strong>guitar that he gave to Andr\u00e9s Segovia in 1912<\/strong><\/a> and that catapulted him to fame from his legendary concert at the Ateneo de Madrid, and which is currently on display at the <a href=\"https:\/\/www.metmuseum.org\/\" target=\"_blank\" rel=\"noopener\">MET in New York<\/a>.<\/p>\n<h2>Jos\u00e9 Ram\u00edrez II<\/h2>\n<p>Due to the fact that his period coincided with the civil war and the post-war period, did not contribute anything new since his priority, and merit, <strong>was to maintain the workshop at a time when obtaining <a href=\"https:\/\/guitarrasramirez.com\/en\/woods-we-use\/\" target=\"_blank\" rel=\"noopener\">wood<\/a> was practically a pipe dream<\/strong>, despite which managed to survive and facilitate continuity for those of us who came after.<\/p>\n<h2>Jos\u00e9 Ram\u00edrez III<\/h2>\n<p>It was the most prolific creator of the family. His design of the popularly called 1A (<a href=\"https:\/\/guitarrasramirez.com\/en\/producto\/traditional\/\" target=\"_blank\" rel=\"noopener\">Traditional Mode<\/a>l: the confusion comes on the label where we put 1\u00aa class, which means first class guitar) <strong>became Andr\u00e9s Segovia&#8217;s favorite and the only one he has played in the last more than 10 years of his life<\/strong>, and which was the model most appreciated by practically all guitarists in the world. A guitar with a revolutionary 664mm scale.<\/p>\n<p>He was also the first to use a synthetic varnish as an alternative to the shellac used until then, thus obtaining more excellent projection and richness of the sound and better protection for the wood.<\/p>\n<p>He was also the creator of the 10-string guitar popularized by Narciso Yepes, and the 8-string guitar at the request of Jos\u00e9 Tom\u00e1s. He created the <a href=\"https:\/\/guitarrasramirez.com\/en\/the-camara-guitar-of-jose-ramirez-iii\/\" target=\"_blank\" rel=\"noopener\">C\u00e1mara guitar<\/a>, eliminating the wolf notes. He designed a version of the romantic guitar with a powerful and intimate sound simultaneously. And he discovered the cedar top that today most guitar makers use in their work.<\/p>\n<p>To reinforce the neck, he inserted an ebony bar into it that his son, JR IV, later replaced with a carbon fiber bar, leaving the ebony strip as an ornament later implemented in the guitar industry by the vast majority of brands.<\/p>\n<p>He ventured into <strong>alternative paths to the Spanish guitar<\/strong>, developing what we call the European guitar, which is an acoustic guitar but instead of steel strings it has nylon strings, giving its sound a special and different charm; It&#8217;s probably the first crossover ever.<\/p>\n<p>It would be, however, a very long task to list all his inventions, but perhaps these are the most outstanding.<\/p>\n<h2>Jos\u00e9 Ram\u00edrez IV<\/h2>\n<p>Improved the construction process of the 1\u00aa guitar, developed by his father, which we currently call Traditional, <strong>making it more comfortable for the guitarist<\/strong>, and achieved a sound projection almost at the height of the 664mm, adapting it to a scale of 650mm, at the request of some guitarists who complained that their hands were not big enough to play the long-scale guitar.<\/p>\n<p>He was also the first guitar maker to <strong>insert a carbon fibre bar into the neck to reinforce it<\/strong>, thus replacing the inner ebony strip, but leaving it as an ornament.<\/p>\n<p>He also developed the <a href=\"https:\/\/guitarrasramirez.com\/en\/producto\/special\/\" target=\"_blank\" rel=\"noopener\">Especial guitar<\/a>, at the request of some guitarists looking for a faster response. Together with his father, he designed the Spanish cutaway guitar and entered the world of electrification with this pioneering model in its style.<\/p>\n<h2>Amalia Ram\u00edrez<\/h2>\n<p>Based on the work of her father, <strong>experimented with the Chamber guitar, changing the rosewood of the inner fin for cedar and spruce<\/strong>, depending on the wood of the top, increasing the richness of harmonics and maintaining its characteristic of eliminating wolf notes.<\/p>\n<p>And she created the <a href=\"https:\/\/guitarrasramirez.com\/en\/producto\/auditorium\/\" target=\"_blank\" rel=\"noopener\">Auditorio Tr\u00edo guitar<\/a> with great sound projection, adapting very quickly to the guitarist&#8217;s way of playing due to its great plasticity. Likewise, taking up the aesthetic quest of the ancient guitar makers, <strong>she highlights the beauty of ornamentation in her designs<\/strong>.<\/p>\n<h2>Cristina y Jos\u00e9 Enrique<\/h2>\n<p>Little by little they are taking the reins in our workshop. They are currently reviewing the construction of the guitars in our collection <strong>to learn about the construction history<\/strong>.<\/p>\n<p>Jos\u00e9 Enrique <strong>has finished a guitar with his own design<\/strong> that we will soon post in a video on our YouTube channel.<\/p>\n<p>&nbsp;<\/p>\n<p>Amalia Ramirez<br \/>\nMarch 16, 2023<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since Jos\u00e9 Ram\u00edrez I began our guitar career, we have contributed different designs to the guitar world, always seeking excellence and favouring guitarists&#8217; search for a sound that is to [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":30007,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[89],"tags":[],"class_list":["post-33731","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guitar-maker-ramirez"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.4) - 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