{"id":33723,"date":"2023-04-19T17:30:44","date_gmt":"2023-04-19T15:30:44","guid":{"rendered":"https:\/\/guitarrasramirez.com\/contributions-of-jose-ramirez-iii\/"},"modified":"2023-04-19T17:30:44","modified_gmt":"2023-04-19T15:30:44","slug":"contributions-of-jose-ramirez-iii","status":"publish","type":"post","link":"https:\/\/guitarrasramirez.com\/en\/contributions-of-jose-ramirez-iii\/","title":{"rendered":"Contributions of Jos\u00e9 Ram\u00edrez III"},"content":{"rendered":"

From the 40’s to the end of the 80’s, Jos\u00e9 Ram\u00edrez III<\/a> was a key figure in the evolution of the Spanish Guitar<\/strong>, both flamenco and classical<\/a>. Amalia Ram\u00edrez tells us about some of his most significant contributions.<\/p>\n

Inclination and size of the head of the guitar<\/h2>\n

Among the many novelties of Jos\u00e9 Ram\u00edrez III we can highlight the inclination of the head of the guitar.<\/p>\n

Thus, we see that the normal inclination of the neck of the flamenco guitar is less than that of the classical guitar<\/strong>.<\/p>\n

In addition, the head is longer on the classical guitar than on the flamenco guitar<\/a>, with the intention of making the strings longer and favouring the projection of the sound<\/strong>.<\/p>\n

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