{"id":33690,"date":"2022-12-22T08:52:12","date_gmt":"2022-12-22T07:52:12","guid":{"rendered":"https:\/\/guitarrasramirez.com\/how-did-marcelo-barbero-learn-his-trade-as-a-guitar-maker\/"},"modified":"2022-12-22T08:52:12","modified_gmt":"2022-12-22T07:52:12","slug":"how-did-marcelo-barbero-learn-his-trade-as-a-guitar-maker","status":"publish","type":"post","link":"https:\/\/guitarrasramirez.com\/en\/how-did-marcelo-barbero-learn-his-trade-as-a-guitar-maker\/","title":{"rendered":"How did Marcelo Barbero learn his trade as a guitar maker?"},"content":{"rendered":"<p>Recently, we received an <a href=\"https:\/\/guitarrasramirez.com\/en\/jose-ramirez-iii-narciso-yepes-figura-y-paisaje-programme\/\" target=\"_blank\" rel=\"noopener\">interview with Narciso Yepes<\/a> in which the interviewer inserted a telephone intervention by my father, <a href=\"https:\/\/guitarrasramirez.com\/en\/the-camara-guitar-of-jose-ramirez-iii\/\" target=\"_blank\" rel=\"noopener\">Jos\u00e9 Ram\u00edrez III<\/a>, who was unable to attend in person, but whose intervention was succulent and instructive.<\/p>\n<p>In the interview, Yepes, probably by mistake or because he was misinformed, said that Marcelo Barbero was a disciple of Santos Hern\u00e1ndez. Well, it is generally known in the guitar world that <strong>Marcelo Barbero was a disciple of my grandfather, Jos\u00e9 Ram\u00edrez II<\/strong> and that he also coincided in the workshop with my father, Jos\u00e9 Ram\u00edrez III. It was there that he learned his trade.<\/p>\n<h2>Disciple of Jos\u00e9 Ram\u00edrez II<\/h2>\n<p>I do not know when he became independent, but it is certain that, after Santos Hern\u00e1ndez died in 1943, <strong>Santos&#8217;s widow, Matilde Ruiz, hired him<\/strong>, together with the guitar maker Manuel de la Chica from Granada, to work in her husband&#8217;s shop and to finish some of Santos&#8217;s unfinished guitars between the two of them. Later, Marcelo Barbero began to build for his widow.<\/p>\n<p>Possibly, the fact that he worked in Santos&#8217;s workshop was the reason why some people believe that Santos was his teacher, but the truth is that <strong>his teacher was my grandfather, Jos\u00e9 Ram\u00edrez II<\/strong>.<\/p>\n<h2>Master of Arc\u00e1ngel Fern\u00e1ndez<\/h2>\n<p>I have not been able to find any data indicating the date when Barbero stopped working in Santos&#8217; workshop. What I do know is that, as an independent guitar maker with recognised prestige, <strong>he was the teacher of another great guitar maker who was highly sought after for his flamenco guitars: Arc\u00e1ngel Fern\u00e1ndez<\/strong>, who it is said never stopped using the old system of measuring the height of the strings of <a href=\"https:\/\/guitarrasramirez.com\/en\/jose-ramirez-flamenco-guitar-conquered-world\/\" target=\"_blank\" rel=\"noopener\">flamenco guitars<\/a> with a <em>perra chica<\/em> (fat dog)*.<\/p>\n<p>Archangel in turn <strong>was the teacher of Marcelo Barbero II<\/strong> at the request of the latter&#8217;s mother after the death of her husband, Marcelo Barbero I. Marcelo Barbero II worked with Arc\u00e1ngel Fern\u00e1ndez in his small workshop until his early death. Each was at his bench, and each with his label and signature, even though they shared the same space.<\/p>\n<p>I had the pleasure of meeting them both when I visited their workshop one morning at the request of my then-Japanese dealer, Shiro Arai, who was trying to get Arc\u00e1ngel to sell him even one of his guitars. He did not succeed, but <strong>we enjoyed a pleasant conversation with the two guitar makers that I treasure fondly<\/strong>.<\/p>\n<p>*The Spanish 10-cent coin of 1870 was popularly known as the &#8220;<a href=\"https:\/\/www.libremercado.com\/2018-10-19\/la-perra-gorda-la-rubia-la-lenteja-y-otras-curiosidades-sobre-la-peseta-1276626677\/\" target=\"_blank\" rel=\"noopener\">perra gorda<\/a>&#8221; (fat dog) because of the somewhat strange lion on the reverse which, when worn, could be mistaken for a dog. In 1941 it was replaced by a 10-cent aluminium coin which, although the design was different, continued to be called the same: fat dog.<\/p>\n<p>Amalia Ram\u00edrez<br \/>\nMadrid, 28 Nov. 22<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Recently, we received an interview with Narciso Yepes in which the interviewer inserted a telephone intervention by my father, Jos\u00e9 Ram\u00edrez III, who was unable to attend in person, but [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":29915,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[88],"tags":[],"class_list":["post-33690","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curiosities"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>How did Marcelo Barbero learn his trade as a guitar maker? | Guitarras Ram\u00edrez<\/title>\n<meta name=\"description\" content=\"Would you like to know how Marcelo Barbero learned his trade as a guitar maker? 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