{"id":33660,"date":"2022-10-20T08:00:30","date_gmt":"2022-10-20T06:00:30","guid":{"rendered":"https:\/\/guitarrasramirez.com\/around-pedro-antonio-ramirez-de-galarreta-planell\/"},"modified":"2022-10-20T08:00:30","modified_gmt":"2022-10-20T06:00:30","slug":"around-pedro-antonio-ramirez-de-galarreta-planell","status":"publish","type":"post","link":"https:\/\/guitarrasramirez.com\/en\/around-pedro-antonio-ramirez-de-galarreta-planell\/","title":{"rendered":"Around Pedro Antonio Ram\u00edrez de Galarreta Planell"},"content":{"rendered":"

A few months ago, Cristina Ram\u00edrez Sangin\u00e9s<\/a> kindly asked me to write a short piece about how I discovered the existence of her ancestor Antonio Ram\u00edrez de Galarreta Planell<\/strong>, a brother of Jos\u00e9 and Manuel, who, like his brothers, also worked as a guitar maker, at least in the city of Logro\u00f1o. Naturally, I was happy to write it, although it took me a little longer than expected to do so.<\/p>\n

In the first few days when I started to write it, the first thing I realised was that my relationship with Ram\u00edrez guitars<\/a> went back a long time. No more and no less than when my love for the guitar began.<\/strong><\/p>\n

My love for guitars came from a guitar “Jos\u00e9 Ram\u00edrez”<\/h2>\n

It was the summer of 1978 in Viveiro (Lugo). It had been years since my family had spent the summer there and I was lucky enough to meet new friends. One of them, Javier, brought and carried a “Jos\u00e9 Ram\u00edrez” guitar that belonged to his father<\/strong>, the prestigious neuroradiologist Manuel Trujillo, who lived in Madrid. It was the first guitar I held in my arms and the first one I got to play roughly.<\/p>\n

Now that so much time has passed, writing these lines, it occurs to me to think about what kind of magic spell, apart from its qualities as an instrument, that guitar must have cast on me, which gave rise to a love and passion for the guitar that has only increased over time… <\/strong>in that Ram\u00edrez guitar, I am now convinced that there was something more than just fine woods and constructive art…<\/p>\n

Sometime later, as a native and resident of Logro\u00f1o, the then forgotten figure of the guitarist from Logro\u00f1o, Francisco Calleja (1891-1950)<\/a>, crossed my path in 1989. Since then, I have been researching and recovering his life and work, at first together with the guitarist Marcos Felip Molins and, since 1995, together with the guitarist Carlos Blanco Ruiz.<\/p>\n

The start of the investigation<\/h3>\n

It was while researching the life of Francisco Calleja that Ram\u00edrez guitars came back into my life, and how much I have to thank the digitisation of old newspapers and the Internet for the progress of my research into Calleja and the other guitar subjects that have interested me!<\/p>\n

Curiously, it was only chroniclers in the Cartagena press who noticed the instrument Calleja played, and who led me to deduce that he played on <\/strong>a<\/strong><\/a> seven-stringed <\/strong>Manuel Ram\u00edrez<\/strong><\/a>. One chronicler said in 1930: “And what a concert! from the sonorous instrument that Ram\u00edrez made, a harmonious box of fine wood, where the seven saetas of the cordejo vibrate like a harp<\/em>“. And another said this in 1933: “His guitar (a seven-string guitar only play by Calleja and Segovia)<\/em>“. (Remember that in those years the guitar used by Andr\u00e9s Segovia was a Manuel Ram\u00edrez<\/a>).<\/p>\n

This deduction was confirmed years later when, at the end of October 2012, the Uruguayan musicologist Alfredo Escande informed me that there was a guitar that belonged to Francisco Calleja among the possessions of the, at that time recently deceased, Uruguayan guitarist Rafael S\u00e1nchez Claggett. Some days later he told me that it was a Manuel Ram\u00edrez guitar from 1911, which originally had seven strings but which in the 1960s was transformed into six strings <\/strong>by a guitar maker in Montevideo. Alfredo made it easy for me to get in touch with the owner of the guitar at that time, Rafael Esponda, who sent me photographs of the instrument.<\/p>\n

The first time I contacted Cristina Ram\u00edrez via email was about this issue, in November 2012<\/strong>. I sent her the photographs of the Manuel Ram\u00edrez guitar that belonged to Francisco Calleja, also telling her the history of the guitarist, in case she could confirm that the guitar was a Manuel Ram\u00edrez and if she could provide me with any other information about the instrument. Cristina had no doubts that the guitar was a Manuel Ram\u00edrez.<\/p>\n

Not two months had passed when my friend Carlos Blanco Ruiz acquired the guitar from its owner in Montevideo and it crossed the Atlantic again, from the Uruguayan capital to Logro\u00f1o. With it, Carlos gave his recital with works by Francisco Calleja at the Tertulias de la Guitarrer\u00eda Ram\u00edrez on 17 January 2014.<\/strong><\/p>\n

Logro\u00f1o’s tradition and love of pulse and plectrum instruments<\/h2>\n

Researching Francisco Calleja made me realise that nothing had been researched about the guitar past of the city of Logro\u00f1o, a city in which historically there has been an enormous tradition and love for the pulse and plectrum instruments. Discovering the performers first, came later discovering those who built the instruments for them. The guitar makers who efficiently carried out their work during the 19th century in Logro\u00f1o were concerned with building good bandurrias and good guitars<\/strong>.<\/p>\n

Benito Campo left Logro\u00f1o to settle in Madrid, running the Mu\u00f1oa guitar workshop, becoming a good friend of Dionisio Aguado, and in Logro\u00f1o, guitars were made by Cosme Garc\u00eda (who later invented the submarine), Eustaquio Torralba (one of whose guitars from 1863 is mentioned by Jos\u00e9 Luis Romanillos), Mariano Zorzano (of whom the Ram\u00edrez family keeps one of his guitars in their collection), Ezequiel Jubera (son-in-law of the former, who took over the Logro\u00f1o guitar workshop when his father-in-law, Mariano Zorzano, left for Madrid to set up a guitar workshop in Calle Tudescos), Pedro Antonio Ram\u00edrez and Jos\u00e9 Mar\u00eda Zub\u00eda, among others.<\/p>\n

How did I locate the figure of Antonio Ram\u00edrez?<\/h2>\n

Thanks to the Internet, for a change. One day in November 2013 it occurred to me to enter the word “guitarrero” in the search engine of the Virtual Library of Historical Press, in the Official Gazette of the Province of Logro\u00f1o, because I was researching the figure of the Riojan guitar maker Mariano Zorzano, and lo and behold, in an electoral roll of Logro\u00f1o in 1890, it appeared “Antonio Ram\u00edrez de Galarreta. Guitar maker<\/em>“.<\/strong><\/p>\n

Reading the surname Ram\u00edrez and the word guitarrero together immediately made me think of the guitarreros from Madrid.<\/strong> Curious, I looked up Jos\u00e9 and Manuel Ram\u00edrez on the Internet, thinking that it would be nice if their surname was Ram\u00edrez de Galarreta, but not quite believing that this would be the case. My surprise was great when, somewhere on the Internet, I saw that the famous guitar makers were indeed listed as Ram\u00edrez de Galarreta!<\/strong><\/p>\n

As soon as I could, I went to the Logro\u00f1o Town Hall Archives to consult the 1889 Register and, after checking page after page, there it appeared! On page 2688, in house number 59 of Calle Mayor, Antonio Ram\u00edrez de Galarreta y Planells, born in Calatayud on 23 November 1860, aged 28, married to Felipa Alcalde from La Rioja, a guitar maker by profession<\/strong>, with two years’ residence in Logro\u00f1o, and paying a tax of 110 reales a year, was listed as the head of the family.<\/strong><\/p>\n

It was an enormously satisfying and wonderful feeling of disbelief, I had just discovered a brother of Jos\u00e9 and Manuel Ram\u00edrez who had been a guitar maker in Logro\u00f1o! Almost nothing! I immediately got back in touch with Cristina Ram\u00edrez via email to tell her about my discoveries of those days<\/strong>, which, from what Cristina told me in her reply, filled all the members of the Ram\u00edrez family with joy at the appearance of a new brother who was also a guitar maker.<\/p>\n

But that was not all, because after going through the pages and pages of the volumes of the 1889 Padr\u00f3n of Logro\u00f1o, I found on page 1403, residing on the first floor of house number 9 of the Muro, Domingo Ram\u00edrez de Galarreta, born on 3 September 1814 in Salvatierra<\/strong><\/a> (\u00c1lava), 75 years old, a carpenter by profession<\/strong>, with two years of residence in Logro\u00f1o, married to Josefa Planells, born on 13 April 1831 in Granada, 58 years old. Josefa P\u00e9rez L\u00e1zaro, from Alhama (Zaragoza), aged 39, was listed as an assistant at the same address.<\/p>\n

From the reading of these register files, it can be deduced that both Antonio and his parents, Domingo and Josefa, arrived in Logro\u00f1o around 1887. It is possible that at first the three of them lived at the same address and that when Antonio married Felipa, he moved to another address.<\/p>\n

Josefa Planells y Canela<\/h3>\n

Both sheets of the register appear signed on 15 May 1889. I say this because Josefa Planells died on 31 May 1889.<\/p>\n

In the 8th Book of Deaths of the church of Santa Mar\u00eda de la Redonda, there is an inscription no. 105 which reads as follows:<\/p>\n

“Josefa Plan\u00e9 y Canela.<\/em><\/p>\n

In the city of Logro\u00f1o, on the first day of June one thousand eight hundred and eighty-nine, I D. Jos\u00e9 Mar\u00eda Garc\u00eda Escudero, Dignity of Abbot of the Insigne Collegiate Church and Priest of Santa Mar\u00eda de la Redonda of the same, ordered the ecclesiastical burial in the Public Cemetery, of the body of Do\u00f1a Josefa Plan\u00e9 y Canela, who died the previous day at the age of fifty-eight as a result of uterine cancer according to the medical declaration; She was born in Granada, legitimate daughter of Don Manuel and Do\u00f1a Manuela, the former from Valencia and the latter from Granada, and was married to Don Domingo Ram\u00edrez, born in Salvatierra, province of \u00c1lava, leaving three children named Jos\u00e9, Manuel and Antonio. She made her last will and testament before the notary Don Federico de Latorre. She received the Holy Sacraments of Penance and Viaticum and other spiritual aids and was buried in her soul, in witness whereof I sign it…<\/em>“.<\/p>\n

My research hypothesis<\/h2>\n

Regarding the fact that these members of the Ram\u00edrez family arrived in Logro\u00f1o in 1887, I can put forward the following hypothesis: In 1887, in Logro\u00f1o, Ezequiel Jubera, the son-in-law of the guitar maker Mariano Zorzano, worked as a guitar maker. It cannot be said that he was the only guitar maker in the city. The minutes of the Logro\u00f1o Town Council meeting of 8 October of that year reflect the farewell of the neighbourhood presented by Ezequiel, who probably moved to Madrid to help his father-in-law in the guitar workshop in Calle Tudescos. In June 1887 the guitarist and composer Vicente Zorzano, Mariano’s son, died, which affected his father, who would have been left alone and would have had difficulties in carrying out his work, so Ezequiel Jubera would come to his father-in-law’s aid. Mariano died in 1889 and it would be Ezequiel who would run the guitar shop in Madrid’s Calle Tudescos until the end of the century.<\/p>\n

Therefore, with the departure of Ezequiel, Logro\u00f1o was left without a guitar maker, if not without a guitar maker at all, which made it necessary to fill this gap. The Ram\u00edrez family may have heard of the lack of a guitar maker in Logro\u00f1o and moved there so that Antonio could work as a guitar maker in the city<\/strong>. The coincidence of dates leads me to suggest this hypothesis and that the arrival of the Ram\u00edrez family in Logro\u00f1o was not the result of chance.<\/p>\n

Returning to Pedro Antonio Ram\u00edrez de Galarreta Planell<\/h2>\n

Pedro Antonio Ram\u00edrez de Galarreta Planell married Felipa Alcalde Zapata in Logro\u00f1o in May 1888. The marriage certificate states that Pedro Antonio lived at Calle de Soria n\u00ba 12 and Felipa at Calle Mayor n\u00ba 59. The newlyweds lived in the latter house. It can be assumed that Antonio and his parents Domingo and Josefa, from the time of their arrival in Logro\u00f1o in 1887, lived in the aforementioned street Soria n\u00ba 12.<\/p>\n

I was able to locate the birth of a daughter of Antonio and Felipa in Logro\u00f1o in January 1896<\/strong>. In Book 19 of the baptised of the church of Santa Mar\u00eda de la Redonda, with inscription no. 301, it appears:<\/p>\n

“Josefa Ram\u00edrez Alcalde<\/em><\/p>\n

In the city of Logro\u00f1o on the fourteenth day of February one thousand eight hundred and ninety-six, the presbyter Don Miguel Mart\u00ednez, with the express licence granted by me, Don Jos\u00e9 Mar\u00eda Garc\u00eda Escudero, Abbot of the Insigne Iglesia Colegial and Priest of Santa Mar\u00eda de la Redonda of the same, solemnly baptised in accordance with the Roman Ritual a girl who, according to her father’s declaration, was born at two in the morning of the thirty-first day of January last, and named her Josefa; She is the legitimate daughter of Antonio Ram\u00edrez, born in Calatayud, province of Zaragoza, and Felipa Alcalde, born in El Villar de Arnedo; paternal grandparents Domingo Ram\u00edrez and Josefa Plan\u00e9, born respectively in Salvatierra, province of \u00c1lava, and Granada, and maternal grandparents Emeterio Alcalde and Luisa Zapata, both natives of the said Villar, godparents and eye witnesses were Juan Garc\u00eda and Marcelina Alcalde, of the same nature, whom I informed of the kinship and obligations contracted, in witness whereof, we sign it ut supra….<\/em>”<\/p>\n

It can therefore be said that Antonio Ram\u00edrez lived in Logro\u00f1o from mid-1887 until at least 1896, during which time it must be assumed that he worked as a guitar maker in the city.<\/strong> A year later, it seems that he was in Funes (Navarre), as the birth of another daughter, also called Josefa Ram\u00edrez Alcalde, was registered in the Civil Register of that town on 3 March 1897. It must therefore be assumed, given the coincidence in the name, that the previous daughter died between 15 February 1896 and 3 March 1897.<\/p>\n

Could Antonio’s presence in Logro\u00f1o until almost 1897 have something to do with the fact that Jos\u00e9 Ram\u00edrez presented guitars at the Regional Exhibition in Logro\u00f1o, held in September 1897, where he won the Gold Medal?<\/p>\n

And again… Internet!<\/h2>\n

And this story could have ended here, were it not, once again, for the Internet. <\/strong><\/p>\n

In early November 2014, I happened to Google the name “Josefa Ram\u00edrez Alcalde” and there appeared an obituary from 1941. The deceased was Juan Utrera Rosado. Josefa Ram\u00edrez Alcalde was listed as his bereaved wife. Daughter Juana. Son-in-law Ram\u00f3n Virall\u00e9 and granddaughter… Mar\u00eda Isabel. I did not know if this Josefa and the daughter of Antonio Ram\u00edrez were the same person, but I had the full name of a granddaughter who might be alive: Mar\u00eda Isabel Virall\u00e9 Utrera<\/strong>.<\/p>\n

In the Google search engine, I found a telephone number associated with that name. I didn’t hesitate to call it.<\/p>\n

I remember that conversation perfectly. The pleasant and welcoming voice that answered my call, that of Mabel herself, once she had heard the reason for my call, confirmed that she was indeed the great-granddaughter of Antonio Ram\u00edrez de Galarreta Planell, that she was amazed to be related to the Ram\u00edrez guitar makers and that she also lived not far from the guitar shop.<\/strong> She was delighted with the story I was telling her and provided me with the information I did not know about her great-grandfather.<\/p>\n

She gave me permission to give her phone number to the other part of the Ram\u00edrez family. I then got in touch with Cristina Ram\u00edrez, to whom I told my latest discovery and, as astonished as Mabel, she told me that both she and Amalia would be delighted to meet their “cousin”<\/strong>. I know that this contact took place.<\/p>\n

A story with a happy ending that I am proud and honoured to have brought about. A story that I don’t know what kind of magic has forged, but which may have begun the day when some clumsy hands embraced a Ram\u00edrez guitar.<\/strong><\/p>\n

For Cristina, Amalia, Mabel and Jos\u00e9 Enrique, with much affection.<\/em><\/p>\n

Jos\u00e9 Juan Fern\u00e1ndez Moral. Logro\u00f1o 13 October 2019.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

A few months ago, Cristina Ram\u00edrez Sangin\u00e9s kindly asked me to write a short piece about how I discovered the existence of her ancestor Antonio Ram\u00edrez de Galarreta Planell, a […]<\/p>\n","protected":false},"author":0,"featured_media":29851,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[125,79],"tags":[],"class_list":["post-33660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","category-related-artists"],"yoast_head":"\nAround Pedro Antonio Ram\u00edrez de Galarreta Planell | Guitarras Ram\u00edrez<\/title>\n<meta name=\"description\" content=\"Article was written by Jos\u00e9 Juan Fern\u00e1ndez, which helped us to learn more about our past and to meet the unknown family.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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